Recently, I
parked the car in a side lot of a small rural church, facing a cemetery. Over
the years, I had stood there as family or friend to say goodbye to a loved one.
I had also stood as pastor offering words of condolences and Jesus’ words of eternal
life. However, I hadn't been here in several years and noticed that even parked
where I was, I felt a part of the total property.
There was
something special about the cemetery today, and I couldn't quite figure out
what it was. I wondered if it was because the trees surrounding the property
were in full leaf, forming a canopy over the grounds, or maybe my eyes noticed
the white, red and other flowers perhaps left from a recent funeral. The tombstones
stood symmetrically like guardians watching over their loved ones, speaking
volumes of heritage and tradition.
I continued to wonder.
Suddenly, I realized why everything stood out clearly, colourful and welcoming:
someone had removed the front fence. Maybe it hadn't been there for years, but
I noticed it—today. A large open fenced acreage to my right looked inviting.
It was this last
realization that caused me to reflect on previous writing I have done over the
years. Some time ago, I wrote a blog that encouraged writers to bring out
those old pieces of work and look at them with a new perspective—in other
words, remove the fences, the expectations and the verdict we might have given
them. I had stated that life experiences and new perspectives gave a clearer vision
of the purpose of previous work.
When I do this,
I am always pleasantly surprised. Sometimes I catch myself thinking, “Why would
I have written this story with such a limited audience in mind?” Even as I read
these pieces, I add snippets in the margins of new insight I've gained since
the last write. Occasionally I stroke out complete sentences or paragraph,
admitting that my theology or perspective of Godly opportunities and guidance has changed from the time I initially wrote the work.
Is this
refreshing? Indeed it is. By removing some fences, I add a completely new
perspective to the work. In this way, writing can become more welcoming to the
stranger who might find us by surfing the Internet, to a visitor who stumbles upon our blog
or even to a regular supporter who always feels included in whatever we write. Removing
fences doesn't mean we compromise individual beliefs or personal convictions—it
might just mean that colours are distinguishable, parameters are clear, and we
are able to define what is important to us in a way that creates a large circle
of readers.
I liken this in
some ways to church lawn signs, “Everyone is Welcome.” I’m never sure if that
actually means everybody, or if it
means, ‘if you’re like the rest of us.” Therein offers my writing challenge.
Blessings,
Donna
Donna
Aggie’s Voice: The Stratford Years is the third YA
novel in the Agnes Macphail trilogy, coming early fall 2013 (Brucedale Press)
A Rare Find: Ethel Bullymore—Legend of an
Epic Canadian Midwife, coming October 15, 2013 (Castle Books
Books Canada).