Fanny Crosby recited her poetry before presidents. Her work was published in newspapers and books.
One biographer wrote, “As Johann Strauss reigned in Vienna
as the Waltz King and John Phillip Sousa in Washington
as the March King, so Fanny Crosby reigned in New York in the late nineteenth and early
twentieth century as the Hymn Queen.”
In 1850, Methodist class meetings, with their
lively singing and warm atmosphere attracted many New Yorkers who longed
for more than religious formality. Mr. Camp, Fanny’s friend and a science
teacher at the Institute for the Blind, invited her to attend special revival meetings at the
Methodist Broadway Tabernacle on Thirtieth
Street . Fanny declined. One night
she had a vivid dream. “It seemed that the sky had been cloudy for a number of
days and finally,someone came to me and said that Mr. Camp desired to see me
at once. Then the clouds seemed to roll from my spirit and I awoke from the
dream with a start.”
Fanny attended the Methodist meetings
with Camp every evening for several weeks. Services consisted of long emotional
sermons, punctuated with loud amens and hallelujahs, tears of repentance and
joyful outbursts, unlike anything Fanny had experienced in rural Connecticut where
serious Calvinists worshipped in formal services.
A feeling that a deeper life in God
awaited her kept Fanny returning to the Methodist meetings. A few times she
knelt with other God-seekers at the dirt-floor altar and prayed for hours but
each time came away joyless and empty.
Until November 20, 1850. “On that night it seemed to me light must come then or never.”
At the invitation for prayer, Fanny walked to the altar and again knelt and prayed fervently for a spiritual breakthrough. When she was about to give up, the congregation sang Isaac Watts’ hymn “Alas and Did My Savior Bleed.” When Fanny heard the words of the final verse, dear Lord I give myself away ‘tis all that I can do, she stood and shouted, "Hallelujah! Hallelujah!" Of that night she wrote, “My very soul was flooded with celestial light. For the first time I realized I had been holding the world in one hand and the Lord in the other.”
Until November 20, 1850. “On that night it seemed to me light must come then or never.”
At the invitation for prayer, Fanny walked to the altar and again knelt and prayed fervently for a spiritual breakthrough. When she was about to give up, the congregation sang Isaac Watts’ hymn “Alas and Did My Savior Bleed.” When Fanny heard the words of the final verse, dear Lord I give myself away ‘tis all that I can do, she stood and shouted, "Hallelujah! Hallelujah!" Of that night she wrote, “My very soul was flooded with celestial light. For the first time I realized I had been holding the world in one hand and the Lord in the other.”
Bernard Ruffin, a biographer, wrote – “although there were no dramatic changes in her life and
she soon realized it did not solve all her spiritual problems, her November
experience, as she called it, marked the beginning of a deeper Christian life and
a total dedication of her life to God.”
Fanny’s hymn portfolio increased to 9,000.
Many, like At the Cross Where I First Saw
the Light, allude to her November 1850 experience. Her reputation as a happy, contented Christian
lasted until she died at age 95. She didn’t seek pity for her blindness but
often said, "When I get
to heaven, the first face that shall ever gladden my sight will be that of my Savior!"
Generations have grown up on Fanny’s hymns and congregations still sing Near the Cross, Tell Me the Story of Jesus, Praise Him Praise Him, I am Thine O Lord, Close to Thee and hundreds of others. Her gravestone inBridgeport , Connecticut
is inscribed with two lines from one of her best known hymn –
Generations have grown up on Fanny’s hymns and congregations still sing Near the Cross, Tell Me the Story of Jesus, Praise Him Praise Him, I am Thine O Lord, Close to Thee and hundreds of others. Her gravestone in
“Blessed
Assurance, Jesus is Mine
Oh
what a foretaste of glory Divine.”
Personal revivals, like Fanny’s November experience, ignite a
passion for Christ in our hearts that forever changes us.
Rose McCormick Brandon is the author of four books, including One Good Word Makes all the Difference and Promises of Home - Stories of Canada's British Home Children. She writes personal essays and devotionals for several publications.
3 comments:
Big time THANK YOU! Rose, for sharing this testimony segment of Fanny Crosby's spiritual "ignition." I frequently sing and play those hymns of hers you mention and that have become enduring favourites; they're often requested in the nursing homes and seniors residences. I feel for the generations who will enter their last days, without the knowledge of the life-enriching value of such works, and the comfort and strength they can help bring.
Fanny Crosby's hymn, "Safe in the Arms of Jesus" played a role in my dad's surrendering his life to the Lord in 1938; he'd heard it in a mission hall in Scotland when he was a boy. ~~+~~
I must admit that I haven't heard of it before. Thank you for sharing this.
Peter, so many beautiful works from Fanny Crosby, a blessing to generations. I hope that soon a few will be re-discovered. They're full of truth and encouragement. So interesting that your Dad's heart was touched by "Safe in the Arms of Jesus."
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